Feb

5

Soccernomics

By YiHa

With the upcoming World Cup 2010 in South Africa, worldwide futbol/soccer craze is brewing. In anticipation of the Cup, Simon Kuper and Stefan Szymanski have written Soccernomics, an in depth look into the economics of this great sport. Kuper is also a columnist for the Financial Times, and the following is an article that offers some insight to the book.

Magical managers have no effect on league

By Simon Kuper

Published: January 15 2010 22:58 | Last updated: January 15 2010 22:58

“Mancini really is magic,” proclaims The Sun newspaper, and others agree. Since Roberto Mancini replaced Mark Hughes as manager of Manchester City, the world’s richest football club, City have won four games straight. There are whispers that the flaxen-haired Italian might even win the Premier League.

Stefan Szymanski and I argue in our book Soccernomics that few club managers have any effect on their teams’ performances. Yet the cult of the manager – reminiscent of the cult of miracle-working chief executives in the business world circa 2000 – thrives. And studies show that after clubs sack managers, their results tend to perk up. So is Mancini magic or irrelevant?

Admittedly, over a single season the relationship between wages and league position is weaker: only about 70 per cent. That’s because in the short run, injuries, luck, referees’ mistakes and other chance factors intervene. But over a long period, these chance factors cancel each other out. Then the best-paying club wins. That’s why I bet on wealthy City to finish in the top four. City’s Emmanuel Adebayor earns about twice as much as the best-paid player at his old club, Arsenal.

Some people have objected that clubs with the best-paid players also usually have the best-paid managers. However, whereas players are paid almost solely for their contribution to results, managers are paid more as marketing men. The manager is the club’s spokesman and talisman. He must look good, speak appropriately, and boast a glittering playing career. Mancini does. Yet a manager’s looks and performance in press conferences does not help his team win. Nor does his playing record. When Stefan analysed more than 100 managers in England from 1974 to 1994, he found no correlation between their playing and managerial success. In short, managers are not primarily paid for their contribution to results.

Nonetheless, when a club changes managers, results usually improve. Sue Bridgewater of Warwick Business School analysed sackings in the premier league from 1992 to 2008 and found: “There is a boost for a short honeymoon period.”

It’s easy to explain why. A typical club earns on average 1.3 points a match. Usually, a club sacks its manager when it’s averaging only one point a match – that is, at a low point in the cycle. Any statistician can predict what should happen after a low point: whether or not the club sacks its manager, or changes its brand of teacakes, its performance will probably regress to the mean. Simply put, from a low point you are always likely to improve. The club may have hit that low point owing to bad luck, or injuries, or a tough run of fixtures or – as perhaps in City’s case – the time it takes for a largely new team to gel. Whatever the reason for hitting a low, things will almost inevitably improve afterwards. The new manager rarely causes the pendulum to swing. He’s just the beneficiary of the swing.

Eventually results regress to the mean. Prof Bridgewater found that three months after a sacking, the typical club was averaging the standard 1.3 points a game. Sheikh Mansour, City’s billionaire owner, should have just stuck with Hughes and waited for results to rebound, but in business doing nothing is often the hardest thing.

Historians used to believe in the “Great Man Theory of History”. The idea was that great men – Genghis Khan or Napoleon – caused historical change. Historians binned the notion long ago, and now even business magazines have, but it’s sweet to see that the theory has an afterlife in football.

Oct

29

Fantastic Mr. Fox

By YiHa

One of my personal all time favorite books by my favorite childhood author Roald Dahl, is going to be released as a film interpreted by Wes Anderson. Enjoy. 

Aug

5

Great Coffee Table Book

By DJ

“Steve McQueen: A Life in Pictures”

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Available at Amazon

Apr

7

TWELVE

By DJ

A couple of years ago I read a really good book called “Twelve”, written by Nick McDonell. The book is about a high school drug dealer living on the upper east side of New York, consumed by (obviously) a lifestyle filled with sex, drugs, (and to make clear that this actually isn’t anything like Gossip Girl), a looot of violence. I always thought it would make a great movie. Seven years after it was originally published, it is now being made into one. 

Bret Easton Ellis was only 19 when he wrote “Less than Zero”, and crazy as it sounds, Nick McDonell was only 18 when he wrote this book.

A classmate of mine in college (we were english majors and self proclaimed psuedo-intellectuals in a perpetual pissing contest to better describe current works we were reading outside of class or debating inside) once told me that this book was essentially an east coast, WASP version of “Less than Zero”. I responded that it was “Cruel Intentions” meets “Paid in Full”. He did not know what “Paid in Full” was. And such was my life in college. 

While I agree that there are some basic similarities between this novel and Ellis’s freshman novel, there are also a lot of differences. For starters, it takes place in a contemporary New York, not an 80’s Los Angeles. It also has a less than squeaky clean protagonist, whereas Clay, the protagonist of “Less than Zero”, was a symbol of moral absolutism. Nonetheless, just as any movie today with a non linear narrative interjected with brief spurts of violence and an edgy soundtrack is doomed to be deemed “inspired by Tarantino”, McDonell’s “Twelve” was inevitably going to be called Bret Easton Ellis-eque. I don’t consider this a bad thing. 

Read this book. 

From Variety:

Cast set for Schumacher’s ‘Twelve’

GaumontRadar Pictures and Original Media have set a Joel Schumacher-directed adaptation of the Nick McDonell novel “Twelve.”Pic will star Chace CrawfordEmma RobertsRory Culkin, Curtis “50 Cent” Jackson,Ellen Barkin and Kiefer Sutherland.

Production begins April 20 in New York. Jordan Melamed wrote the script.

In 2002, then 17-year-old McDonell wrote a novel that starkly depicted teenage drug use and decadence on the Upper East Side.

Story follows a high school dropout-turned-drug dealer. His lucrative life sours when the dealer’s cousin is brutally murdered on an East Harlem playground and his best friend is arrested for the crime.

Gaumont chairman Sidonie Dumas and CEO Christophe Riandee will produce with Radar CEO Ted Field and Original Media CEO Charlie Corwin. Melamed also will be a producer with Bob Salerno; and Mike Weber will be exec producer.

Radar’s Field optioned the novel in 2002, and the project came together with Corwin (“The Squid and the Whale”) and Gaumont, which will broker worldwide distribution deals for a film that will be ready for release by winter 2010.

Apr

5

“The Reel Thing”

By Me

dude

The Dude abides. Jeff Bridges emerges as "the essential actor of modern American cinema" in David Thomson's "Have You Seen...?"

I know many of our readers are avid movie watchers.  This is a review from The Atlantic Monthly of a new book about movies and Hollywood.  The review calls the book a companion to author David Thomson first book, A Biographical Dictionary of Film.  I have not read the book, but the review certainly made me believe that others amongst us might be interested in this book.

Click here for the review.